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Maybe I should be putting this in the review section. I just got my Sabine FBX1210 in today and it is simply amazing!

I highly recommend it for anyone that's struggling with feedback. I was a little freaked because I had heard that feedback eliminators poke holes in your tone and ruin it. This is not the case! Graphic EQ's will but not the FBX1210. These notch filters are so tight that they ONLY notch the feedback tone and nothing else. These are 1Hz resolution notch filters – the same as if you set up a parametric EQ for notching. It just takes about a 1/10th of the time to setup as a para EQ.

Here's how I'm doing it. First, I hit my Fishman Plat. Pro BASS Preamp/E.Q. And set up the phase switch as Fishman recommends. This is my first electronic* line of defense against feedback. Then I set up the Sabine by putting it in “setup mode” and slowly turning up my master volume. As soon as I hear a feedback tone start to take off I pause until the Sabine notches it out.

Then I turn it up some more and it snags the next one too. Once I've let it tackle the first 9 feedback tones it locks the filters and I have a lot more available gain before feedback. There are 3 dynamic filters that stay active while playing.

That way I’m covered if a tone takes off during performance. Now that the feedback tones are taken care of I turn up to playing volume and sometimes I'll need to engage the HPF on the Fishman. It depends on how loud I need to get.

If I'm playing at a quiet to medium volume I can keep all the bottom but if I need to get really loud I might have to dump a little more. This will suck a little tone but not as much as I would have to without the Sabine. Another added bonus is now that I'm virtually feedback-free I can try out a lot of pickups and choose the one that SOUNDS the best on my bass - not the one that has the highest amount of gain before feedback. Chris *Obviously, you want to try acoustic/mechanical feedback prevention before electronic.

Such as: covering f-holes, muting string after-length, isolating bass from floor and/or elevating cab, and possibly putting a towel between the tailpiece and bass. The Sabine FBX1210 is the mono version of the FBX2410 and because it's less in demand than it’s stereo counterpart, it is made to order. You can expect about a three week wait before shipment.

12 filters numriques indpendants type Notch channel: frquence dintervention between 40 Hz and 20 kHz, CONTRL automatically. Width filter: adjustable by the user, 1 / 10 or 1 / 5 doctave *, Q constant. RESOLUTION: 1 Hz Durencessaire frquence then resumed to eliminate feedback: 0.4 seconds 1 kHz Rpartition dynamic filters / fixed per channel adjustable by the user, dernire mmorise configuration.

(*): Below of approx 200 Hz the feedback filters are increasing their width lgrement to the dacclrer reprage of these frquences Larsen, o is is often severe background noise (rumble). INPUT / OUTPUT Maximum dentre / output: +27 dBV peak (symtrique), +21 dBV peak (asymtrique). Impdance load: 600 Ohms suprieure Impdance dentre:> 40 kohms, or symtrique asymtrique, hot spot in 2 Impdance Output: 150 Ohms nominal, or symtrique asymtrique, hot spot in 2 Bypass: physical if the power cord (sent directly from the exit). Reserved Dynamic: 23 dB peak (4 dBV nominal level dentre, symtrique).

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